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p777 game is One slides down the face of a breaker on his surf-board, but he has to get started to sliding. Board and rider must be moving shoreward at a good rate before the wave overtakes them. When you see the wave coming that you want to ride in, you turn tail to it and paddle shoreward with all your strength, using what is called the windmill stroke. This is a sort of spurt performed immediately in front of the wave. If the board is going fast enough, the wave accelerates it, and the board begins its quarter-of-a-mile slide. But other troubles and doubts awaited me. Here is a sample of one. In south latitude, when the sun is in northern declination, chronometer sights may be taken early in the morning. I took mine at eight o’clock. Now, one of the necessary elements in working up such a sight is latitude. But one gets latitude at twelve o’clock, noon, by a meridian observation. It is clear that in order to work up my eight o’clock chronometer sight I must have my eight o’clock latitude. Of course, if the Snark were sailing due west at six knots per hour, for the intervening four hours her latitude would not change. But if she were sailing due south, her latitude would change to the tune of twenty-four miles. In which case a simple addition or subtraction would convert the twelve o’clock latitude into eight o’clock latitude. But suppose the Snark were sailing southwest. Then the traverse tables must be consulted..

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🎮 Not being tourists, we of the Snark went to Haleakala. On the slopes of that monster mountain there is a cattle ranch of some fifty thousand acres, where we spent the night at an altitude of two thousand feet. The next morning it was boots and saddles, and with cow-boys and packhorses we climbed to Ukulele, a mountain ranch-house, the altitude of which, fifty-five hundred feet, gives a severely temperate climate, compelling blankets at night and a roaring fireplace in the living-room. Ukulele, by the way, is the Hawaiian for “jumping flea” as it is also the Hawaiian for a certain musical instrument that may be likened to a young guitar. It is my opinion that the mountain ranch-house was named after the young guitar. We were not in a hurry, and we spent the day at Ukulele, learnedly discussing altitudes and barometers and shaking our particular barometer whenever any one’s argument stood in need of demonstration. Our barometer was the most graciously acquiescent instrument I have ever seen. Also, we gathered mountain raspberries, large as hen’s eggs and larger, gazed up the pasture-covered lava slopes to the summit of Haleakala, forty-five hundred feet above us, and looked down upon a mighty battle of the clouds that was being fought beneath us, ourselves in the bright sunshine. And now to the particular physics of surf-riding. Get out on a flat board, six feet long, two feet wide, and roughly oval in shape. Lie down upon it like a small boy on a coaster and paddle with your hands out to deep water, where the waves begin to crest. Lie out there quietly on the board. Sea after sea breaks before, behind, and under and over you, and rushes in to shore, leaving you behind. When a wave crests, it gets steeper. Imagine yourself, on your hoard, on the face of that steep slope. If it stood still, you would slide down just as a boy slides down a hill on his coaster. “But,” you object, “the wave doesn’t stand still.” Very true, but the water composing the wave stands still, and there you have the secret. If ever you start sliding down the face of that wave, you’ll keep on sliding and you’ll never reach the bottom. Please don’t laugh. The face of that wave may be only six feet, yet you can slide down it a quarter of a mile, or half a mile, and not reach the bottom. For, see, since a wave is only a communicated agitation or impetus, and since the water that composes a wave is changing every instant, new water is rising into the wave as fast as the wave travels. You slide down this new water, and yet remain in your old position on the wave, sliding down the still newer water that is rising and forming the wave. You slide precisely as fast as the wave travels. If it travels fifteen miles an hour, you slide fifteen miles an hour. Between you and shore stretches a quarter of mile of water. As the wave travels, this water obligingly heaps itself into the wave, gravity does the rest, and down you go, sliding the whole length of it. If you still cherish the notion, while sliding, that the water is moving with you, thrust your arms into it and attempt to paddle; you will find that you have to be remarkably quick to get a stroke, for that water is dropping astern just as fast as you are rushing ahead.!

🏆 “Ready?” I called to Martin. Daylight, gray and violent, steals through the cloud-pall and shows a foaming sea that flattens under the weight of recurrent and increasing squalls. Then comes the rain, filling the windy valleys of the sea with milky smoke and further flattening the waves, which but wait for the easement of wind and rain to leap more wildly than before. Come the men on deck, their sleep out, and among them Hermann, his face on the broad grin in appreciation of the breeze of wind I have picked up. I turn the wheel over to Warren and start to go below, pausing on the way to rescue the galley stovepipe which has gone adrift. I am barefooted, and my toes have had an excellent education in the art of clinging; but, as the rail buries itself in a green sea, I suddenly sit down on the streaming deck. Hermann good-naturedly elects to question my selection of such a spot. Then comes the next roll, and he sits down, suddenly, and without premeditation. The Snark heels over and down, the rail takes it green, and Hermann and I, clutching the precious stove-pipe, are swept down into the lee-scuppers. After that I finish my journey below, and while changing my clothes grin with satisfaction—the Snark is making easting.!

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